Pinta Miami 2019 |
Maximiliano Pecce
Belen Espir Fernando Rossia Augusto Esquivel Valeria Yamamoto Migdalia Salazar |
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November 30 - December 4 2016
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March 2016
Art Boca Raton Exceeding expectations, the Irazoqui Art Gallery participated in the first annual Art Boca Raton art fair by Next Level Fairs, the same organization behind Art Palm Beach bringing to the beautiful city of Boca Raton, the works of Maxi Pecce, Valeria Yamamoto, Joseph Ivacich, Greiko Garcia and Ignacio Irazoqui. |
June 2015
Rosario Contemporary An eclectic collective capturing the diversity of Rosario "The Argentinean Chicago" featuring the artworks of Martha Magnani, Alicia de Lujan Chaves, Raul Gomez, Liliana Jones, Fernando Rossia, Shirley Alfaro and Nancy Cabo |
September / December 2014
Extra!
Ignacio Irazoqui
Extra!
Ignacio Irazoqui
March / April 2014
Anonymous
Photography exhibition by Beresford Mitchell
Anonymous
Photography exhibition by Beresford Mitchell
January / February 2014
Belén Spir
Belén Spir
Dec 2013
Beatriz & Beatrice
HEROINES OF THE OPERA
Beatriz & Beatrice
HEROINES OF THE OPERA
"Look UP!"
A photographic exhibit by Wayne Grabein
A photographic exhibit by Wayne Grabein
August 2013
“The Longing”
A solo exhibition by Casey Waterman
“I dont think you are lost.
I think you are an old soul living in a world full of everything you don’t hold dear.”
“The Longing”
A solo exhibition by Casey Waterman
“I dont think you are lost.
I think you are an old soul living in a world full of everything you don’t hold dear.”
HaviSchanz
April 25 - 2013
With solid Impressionism influence, colors of Romanticism and a Baroque hint in his brush strokes, HaviSchanz, born in Argentina, grows thru the expansive waves of Pop that explode in Sudamerica in the 80's.
The architecture as a profession, specializing in Urban, professor and director of several projects in his successful career, were not enough to prevent the vocation, natural talent and passion for painting, which would lead to either absolute dedication in the way of the fine arts.
Many artists have tried to portray Hollywood's Glamour thru "movie stars" that launched the beginning of the POP movement, HaviSchanz, adds to this expression with a "New Romantic" make-up and distinguishes also the interpretation, expression and depth with each glance.
Curated by Ignacio Irazoqui
With solid Impressionism influence, colors of Romanticism and a Baroque hint in his brush strokes, HaviSchanz, born in Argentina, grows thru the expansive waves of Pop that explode in Sudamerica in the 80's.
The architecture as a profession, specializing in Urban, professor and director of several projects in his successful career, were not enough to prevent the vocation, natural talent and passion for painting, which would lead to either absolute dedication in the way of the fine arts.
Many artists have tried to portray Hollywood's Glamour thru "movie stars" that launched the beginning of the POP movement, HaviSchanz, adds to this expression with a "New Romantic" make-up and distinguishes also the interpretation, expression and depth with each glance.
Curated by Ignacio Irazoqui
Ana Rossi
March 09 2013
Motivated by the feminist movement and taking center stage in the story of her life, Ana Rossi has learned what the 60’s leave behind for contemporary women artists. Organic elements, photography, pop inuence, and psycedelia converge in a piece of work whose concept is centered within women’s rights, their ghts, and reactions. Vibrant colors in moving gures, surrealist environments, cosmic images, the mystic oriental inuence, poesy, and literature, make “Challenge” become a journey from sensual to protestant moments as these elements are manifested through the latest mixed media resources.
Born in Argentina within a context where her childhood and adolescence elapse during a military dictatorship, Ana was left to fulll the necessity to express herself. She began her studies in the workshop of the painter Jose Amore at the age of sixteen. In 1985, she entered the National School for Fine Arts Prilidiano Pueyrredon, where she was taught by Carreño, Miguel Angel Vidal, Julio Flores Benedinni, just to mention a few.
Ana Rossi portrays her vision in series. Decade after decade, she paints about stories of women through dierent points of view. What the artist is really interested in is the interaction with the public and their genuine feedback; this is the reason she tells stories through painting. In “Challenge”, Ana Rossi synthesizes with colorful feminine gures on metal backgrounds, the strength of her gender when facing a challenge.
Curated by Ignacio Irazoqui
Motivated by the feminist movement and taking center stage in the story of her life, Ana Rossi has learned what the 60’s leave behind for contemporary women artists. Organic elements, photography, pop inuence, and psycedelia converge in a piece of work whose concept is centered within women’s rights, their ghts, and reactions. Vibrant colors in moving gures, surrealist environments, cosmic images, the mystic oriental inuence, poesy, and literature, make “Challenge” become a journey from sensual to protestant moments as these elements are manifested through the latest mixed media resources.
Born in Argentina within a context where her childhood and adolescence elapse during a military dictatorship, Ana was left to fulll the necessity to express herself. She began her studies in the workshop of the painter Jose Amore at the age of sixteen. In 1985, she entered the National School for Fine Arts Prilidiano Pueyrredon, where she was taught by Carreño, Miguel Angel Vidal, Julio Flores Benedinni, just to mention a few.
Ana Rossi portrays her vision in series. Decade after decade, she paints about stories of women through dierent points of view. What the artist is really interested in is the interaction with the public and their genuine feedback; this is the reason she tells stories through painting. In “Challenge”, Ana Rossi synthesizes with colorful feminine gures on metal backgrounds, the strength of her gender when facing a challenge.
Curated by Ignacio Irazoqui
Art Palm Beach | Jan 24 / 28 - 2013
Fabián Nonino
January 2013
Fabian Nonino was born in Morrison, Córdoba, Argentina. His first conscious relation with space began with his work at an architecture study, which designed commercial stores and stands. He graduated as set designer at the School of Arts, Escuela Superior de Bellas Artes Ernesto De La Cárcova. He worked as set designer and builder for a while. He began to show an interest for the written word and, with his own exhaustive analysis, he dismembered classic texts in order to give them a new sense, synthesizing and translating them in tridimensional images and event in time. From his work as set designer for operas he started researching contemporary music, which he immediately included in his developments. He studied the Régié career at the Instituto Superior de Arte of the Teatro Colón. He was selected by Espacio Fundación Telefónica to participate in the Taller de Arte Interactivo 07 y 12, under the tutelage of Rodrigo Alonso and Mariano Sardon, where he found a multidisciplinary environment, which was ideal to realize his complex and hybrid developments.
He exhibited his art in Espacio Fundación Telefónica in Buenos Aires, Argentina and Lima, Peru, at MALI in Lima, Museo Castagnino y Macro in Rosario, Museo de Arte Contemporáneo de Bahía Blanca, Museo Municipal de Arte Moderno de Mendoza, Centro Cultural Recoleta in Buenos Aires, Centro Cultural de España in Buenos Aires, Centro Cultural General San Martín, Museo Caraffa in Córdoba and MAC in Salta.
Nonino has performed staging and designed sets for contemporary operas commissioned by theaters.
He is interested in the transcendence of the soul and the events that are involved in its passage through the Earth.
Currently, he resides in Buenos Aires, and is doing art clinic with Ana Gallardo.
Curated by Marcela Rõmer
Fabian Nonino was born in Morrison, Córdoba, Argentina. His first conscious relation with space began with his work at an architecture study, which designed commercial stores and stands. He graduated as set designer at the School of Arts, Escuela Superior de Bellas Artes Ernesto De La Cárcova. He worked as set designer and builder for a while. He began to show an interest for the written word and, with his own exhaustive analysis, he dismembered classic texts in order to give them a new sense, synthesizing and translating them in tridimensional images and event in time. From his work as set designer for operas he started researching contemporary music, which he immediately included in his developments. He studied the Régié career at the Instituto Superior de Arte of the Teatro Colón. He was selected by Espacio Fundación Telefónica to participate in the Taller de Arte Interactivo 07 y 12, under the tutelage of Rodrigo Alonso and Mariano Sardon, where he found a multidisciplinary environment, which was ideal to realize his complex and hybrid developments.
He exhibited his art in Espacio Fundación Telefónica in Buenos Aires, Argentina and Lima, Peru, at MALI in Lima, Museo Castagnino y Macro in Rosario, Museo de Arte Contemporáneo de Bahía Blanca, Museo Municipal de Arte Moderno de Mendoza, Centro Cultural Recoleta in Buenos Aires, Centro Cultural de España in Buenos Aires, Centro Cultural General San Martín, Museo Caraffa in Córdoba and MAC in Salta.
Nonino has performed staging and designed sets for contemporary operas commissioned by theaters.
He is interested in the transcendence of the soul and the events that are involved in its passage through the Earth.
Currently, he resides in Buenos Aires, and is doing art clinic with Ana Gallardo.
Curated by Marcela Rõmer
November - December 2012
Every Memory is a Work of Fiction by Fernando Rossia "Located on a porous border where digital illustration and intense, highly subjective artistic language fuse together, Fernando Rossia's oeuvre configures both a poetic tale of disenchantment -affective and social- and a recreation of the conceptual distance between fiction and reality that holds as main key the fumbling games of our memory.
Evoking the immense altarpiece of contemporary knowledge, references that involve the history of art and photography, mass media, comic books, black literature, fairy tales and, of course, his own life, Rossia submerges the audience in a world populated by characters who live in strange places and that hold within them the potential for fantastic story-telling. In a way that recalls the breaking down of Bertolt Brecht's fourth wall, Rossia first introduces unreal elements in his artworks to remember spectators that they are in presence of an artifice, and later to invite them to renew the pact of credibility with these creatures. He resorts to strategies that provoke an experience of "oddness" on the common and familiar, then combining them with emotionally charged titles. His characters, triptychs, portraits, and pieces from appropriations invite us to assume the unreality of the arts, and then, they reveal us fragments of that human truth that conforms an space where all of us feel identified." -Aluna Curatorial Collective |
October - November 2012 |
Geometry as Pasage by Alicia Lujan Chaves
The origin of Alicia Luján’s geometric work dates back to the presentation of an artwork, Quasi Negro, based on which − somehow as a sort of “remake”, since it is no longer in her possession − she has painted for the present exhibition the piece Quasi Negro 6. This is a remarkable composition in which the vertical areas in white − the light − and black − darkness − intervene in a set of squares and rectangles in restrained colors containing one another, making way for an interaction of planes. This work, originating in the need to paint in very dark, almost black tones that the artist experienced after her mother’s death, is the result of her dialogue with the work of Ad Reinhardt, who had such a strong influence on Minimalism, particularly through those black paintings he was certain would be “the last paintings”. But equally distant from that “art as art” which the New York artist proclaimed, in the past couple of years Alicia has gradually discovered the possibilities of a geometric art whose construction is based on a digital matrix, including in the first place the production of the entire compositional design on a computer, and whose process of canvas printing and painting is indissoluble from the mentioned notion of transition, linked to the space of passage. |
September 29th - October 6th, 2012
Gestation by Guillermo Venturini
A conceptual sample, which undoubtedly becomes evident to our senses. It is only limited by our imagination. An extraordinary alternative from the ordinary. An illusion of the mind. The emotion of motherhood. "Inside that, now already it is calm. Every one of those cells will be aware of being itself. the amazing adventure of the world will be complete." Creativity is a natural function of the human mind. It is the gift which we are endowed with. Each differs from the other in how we use it, some channel it towards painting, others towards photography, others in architecture, and also in the degree of such expression. Being the degree reflection of the limits that we impose on our thinking, and these limits are consequences of our preconceptions about our creative capacity and what is possible and what is acceptable. It depends on us that we develop our full potential. They have given us all the opportunities and also the responsibility of our destiny. Before we can continue our evolutionary process, we must prove that we have the wisdom of our teachers and that we are able to use our creativity in a win-win way. |
August 11th - September 22nd, 2012
Samantha Sanchez (Barquisimeto, Venezuela 1974), based his exposition on the dazzling acrobatics of an artist’s domestic universe as her two young daughters appropriate very particular incarnations: a giraffe and an elephant. By appealing to efficient graphic resources, the artist provides her unique perceptual take on an iconographical style that was originally inspired by the millenarian circus tradition and that had a grand impact on the surrealists, transforming it into a playful piece inseparable from the likes of an affectionate biography. The artist, then, resembles a juggler who balances humor and tenderness with a sense of amusement on the stage of a peculiar venue where domestic objects are no different from those of a circus. Her visual universe is connected to the journeys of a couple – always adorned with long, striped socks – that can emerge to infinity, or simply create a circus within that house that art fills with a crowd of spectators. |
June 8th, 2012
The Irazoqui Art Gallery proudly opened its doors to the public during the June Wynwood Gallery Walk launching MATEINA, CONTEMPORARY ART EVENT, a group exhibition of the works of famous and emerging artists from Rosario, Argentina.
FERNANDO ROSSIA, MARTHA MAGNANI, ALICIA CHAVES, LILIANA JONES, RAUL GOMEZ, BELEN SPIR, SHIRLEY ALFANO, SILVIA INDORADO, VERONICA CIRIACI and NANCY CABO, are the protagonists of an exquisite selection of artists coming out of one of the most culturally rich artistic niches in South America. For more info on this past event please visit the event's website at www.mateina.info or follow us on Facebook and Twitter. |